English

The program and course offerings in English have two main objectives: to give the student a broad knowledge and lively appreciation of "the best that has been thought and said" in literature, and to develop practical skills for the student's career future.

Works of literature in the program are studied both as art and as expressions of significant thought, so as to cultivate an understanding of beauty and at the same time a capacity for dealing confidently with sophisticated ideas. Students learn how to interpret a particular statement or event by relating it to other elements in the work; how to interpret a work, or a set of ideas, by relating it to other works and ideas from different ages and societies; and, at each step, how to interpret current events or personal experiences by relating them imaginatively to the events and experiences depicted in the readings.

The emphasis is on cultural knowledge that increases the student's self-knowledge.

Simultaneously, through the class experience and the individual pro-jects assigned, emphasis is also placed on the development of skills that the student will later be able to apply to professional tasks in a variety of fields. Students learn and practice techniques for gathering information, for interpreting it, for analyzing it, and for isolating what is most important in it. They learn, in short, some of the basic procedures for making themselves experts in their chosen field.

For students majoring in English, a minimum grade of C is required in all English courses used to fulfill program requirements. Other grade expectations apply for students seeking teacher certification; See the Teacher Education section of the catalog for requirements.

Communication Skills Courses

The ability to communicate clearly, logically, and persuasively is increasingly in demand in almost every line of work today, and is among the most important professional tools the student can acquire. One of the chief functions of the English program, and one of the chief ways in which individual English courses serve students in other programs, is to develop that ability. Each of the literature courses in the program is designed to include study of the techniques of effective expression, both in the work of professional writers and in the student's own work; for students who want concentrated training in those techniques, whether for professional or personal reasons, there are also a number of non-literature courses in English and related areas that focus on the communications skills themselves.

University English Requirements

As the level of writing skills declines, and the demand for those skills in the professional world increases, Dominican University New York is committed to providing its students with the kind of preparation that will give them an advantage in their later careers.  

All freshmen entering the University are placed into courses in the “Writing Sequence.” As a result of this placement, they are enrolled in one of the following sequenced courses, the "Writing Sequence": 

  1. English 119 or 120:  College Writing with Lab or College Writing & Research
  2. English 123:  Writing About Literature

Students who need some catch-up work in order to get the most out of their other college courses begin the sequence with English 108, proceeding from there to English 119 or DC 120 and 123. Students who have had sufficient preparation in their previous high school  work begin with English 120, and a few exceptionally talented students begin immediately at the third level, English 123.  

Students who score a 3 or higher on the AP English Language and Composition exam, or who have earned college credit through an equivalent dual enrollment college-level course offered through their high schools, are exempt from DC 120 and are placed into EN 123. Students who receive a 3 or higher on the AP Literature exam, or who have earned college credit through an equivalent dual enroll-ment college-level course offered through their high schools, must still enroll in EN 123 but will be given three elective credits in Eng-lish literature.  

With those few exceptions, all freshmen are guaranteed at least 6 credits of training in English skills at a level appropriate to their back-grounds and needs.  

The needs of transfer students are given similarly close attention. Any entering transfer students who have not already completed the equivalent of the Writing Sequence at their previous institutions will do so at Dominican. And students who have already taken the equivalent of the Sequence elsewhere are tested to assess their skills in  relation to Dominican standards; those whose writing still shows a need for further improvement are placed in EN 115, Enhanced Writing.  

Transfer students placed in English 115 are urged to take the course as early as possible in their first year at the University; successful completion of the course with a grade of C- or better is a prerequisite for graduation. The same policy applies to the Writing Sequence.  

Sigma Tau Delta English Honor Society

Sigma Tau Delta is about recognition and opportunity, and is dedicated to making a real difference in the life of each and every Sigma Tau Delta.

Our local chapter, the Alpha Upsilon Theta chapter of Sigma Tau Delta, was founded in December 2013.

Degrees and Certificates

Courses

EN 114: Writing the Research Paper

Credits 1
This course focuses primarily on the strategies and skills needed to write the college research paper. Topics include evaluating sources, incorporating sources, summarizing, paraphrasing and formatting in MLA and APA.

EN 116: Editing and Revising Bootcamp

Credits 1
This course focuses on three areas: 1) revising essay content, 2) editing for improved clarity, 3) proofreading to identify and correct errors. Review of basic essay structure, grammar and punctuation, and spelling are also covered.

EN 118: Strategies for Vocabulary Development

Credits 1
This course will focus on strategies for developing a better vocabulary and employing new vocabulary effectively. Emphasis will be placed on structural analysis and context clues.

EN 201: Single Author or Topic

Credits 1
Each of these 1-credit courses focuses on a single author’s life and particular works that represent the contribution of writers to their own eras. Courses may also explore how their works of literature illuminate universal explorations of the ways individuals and/or communities critique and adapt to their worlds through fiction, poetry drama, or non-fiction.

EN 202: Single Author or Topic

Credits 1
Each of these 1-credit courses focuses on a single author’s life and particular works that represent the contribution of writers to their own eras. Courses may also explore how their works of literature illuminate universal explorations of the ways individuals and/or communities critique and adapt to their worlds through fiction, poetry drama, or non-fiction.

EN 203: Single Author or Topic

Credits 1

This 1-credit course focuses on a single author’s life and particular works that represent the contribution of writers to their own eras. Courses may also explore how their works of literature illuminate universal explorations of the ways individuals and/or communities critique and adapt to their worlds through fiction, poetry drama, or non-fiction.

EN 220: Literary Studies

Credits 3
As the foundation to the discipline, this course builds upon student’s ability to read and discuss literary texts from ancient to contemporary and to express their interpretations orally and in writing. In addition to literary history, students will be introduced to close readings of texts and to other techniques of literary criticism. Papers incorporating textual reference and critical scholarly sources is the other key component of the class.

EN 223: The American Dream I: 1620–1865

Credits 3
Beginning with Native American stories and poems and the writings of the European colonists, the course traces the various cultural threads that, along with their accompanying political and religious ideologies, led to the establishment of American literature and consciousness. The course also explores the inevitable social conflicts that followed. Readings cover American romanticism, slave narratives, poetry from Bradstreet to Whitman .

EN 224: The American Dream II: 1865 – Present

Credits 3
Emphasis is on a range of writers from different racial/ethnic/social backgrounds. Attention will be paid to the social issues that inform the ideas of these writers, including the impact of technology, urbanization, war, and gender-role changes. The course readings cover modern and post-modern eras across genres; works vary by semester offered.

EN 225: Classical Literature: Balancing Duty and Desire

Credits 3
Our course theme, balancing duty and desire, is timeless and applies to people across cultures. Our overriding focal points will be on the delineation of communal and individual experiences (duty/desire) and the representation (mimesis) of the ways of life that affirm the dignity of the human spirit. By surveying various genres that developed in the ancient world, we will trace the varied life lessons that preoccupied the organizers of civilizations: attaining and bestowing honor, recognition of deities, handling extreme emotions and ambitions, and the meaning of life and death within each culture.

EN 226: Masks and Morals: Values in World Literature

Credits 3
A study of the role of morals, identity, and deception in European literature from the 18th century to the present. The course examines the way that individuals define and represent themselves in relation to their society and what happens when an individual's sense of what is right conflicts with the beliefs of others or the policies of the state. As students read works of literature in which individuals confront ethical dilemmas, they will consider what similar dilemmas we face in our contemporary world. Readings include works by Voltaire, Flaubert, Dostoevsky, and Ibsen.

EN 227: Folklore in American Culture

A multi-disciplinary and multicultural investigation of expression through a close look at how people live today and how people’s morality is defined and reflected in common everyday stories and practices. This course investigates the value system inherent within a specific folk group and examines how that group arrives at establishing morality through the use of lore. Topics will include (but are not limited to) urban legends, occupational folklore, performance, and food ways.

EN 228: Irish Literature

Credits 3
A survey of Irish literature and its historical context. Emphasis on the intersection of literature, culture, and religion. Examination of Ireland's political evolution, its nationalism, and the movement toward independence as these inform the writings of the society.

EN 230: Crime in Fiction

Credits 3
The subject of crime has existed in literature and folklore since ancient times, both as an element of plot and as a part of a thematic or moral agenda. This course will center upon selected readings from different eras and upon different aspects of crime and the criminal imagination, including 18th-century Gothic romances, 19th-century literature focusing on psychological motivations (e.g., the works of Poe and Dostoevsky), and 20th-century fictionalized accounts of real crimes.

EN 231: British Literature I: Beowulf- Enlightenment

Credits 3
This class covers the literature of several periods that span over a thousand years and countless language shifts and changes. Starting with Beowulf and other Anglo Saxon writers, we will continue through Chaucer and the Pearl-poet’s era, into Shakespeare and Milton’s works, and end with writers of the Enlightenment, like Swift and Pope. These periods are often grouped together because they express the origins of English language and culture. Though we will read most things in translation, there will be time spent on the changing language and styles in order to enrich our understanding of these treasures of literature.

EN 232: British Literature II 1798-Present

Credits 3
This course is framed by several factors: multiple wars, international movements in social thought and the arts, and the rise of technology. Starting with Romantic poetry’s idealistic belief in the individual in connection to nature, we move to a Victorian pessimism about society and inequality that emerged through novels, poetry, non-fiction, and drama. The course then examines Modernism’s horror over WWI and postmodern works that emphasize individuals struggling in isolation.

EN 260: Survey of African-American Literature

Credits 3
This course traces the evolution of African-American literature from slave times to the present. Beginning with African folktales and poems as background, the readings turn to the poetry of Wheatley and others; slave narratives; developments in poetry and fiction during the early Jim Crow era, and the parallel developments of blues and jazz; the Harlem renaissance; the Civil Rights era; and contemporary voices in all genres.

EN 325: American Jazz Age: Generations Lost & Found

Credits 3
After WWI, American literature and culture enjoyed its first intercultural era, as jazz became an international phenomenon and writers from Harlem and Greenwich Village mingled and shared influence. Our readings include Harlem Renaissance writers, like Hughes, McKay, Larsen and Hurston, who celebrated their African heritage. Modern poets like Millay and Cummings, and fiction from Fitzgerald and Hemingway represent the "Lost Generation." They chronicled disillusionment and excesses of the youth culture and modernism.

EN 327: Science Fiction, Fantasy & Horror

Credits 3

This course will explore the speculative fiction genres of literature – science fiction, fantasy, and horror – using stories and novels from the inception of the various fields to the present. We will focus on the various tropes, such as magic; good vs evil; space and time travel; the supernatural; and many others. 

This course will satisfy the genre requirement in the English major.

EN 330: Chaucer

Credits 3
A study of The Canterbury Tales in Middle English in the context of medieval culture, but also in relation to the modern reader. Emphasis is placed on Chaucer’s language, poetic technique, use of various genres, and his contribution to western thought and literature.

EN 331: Metaphorical Journeys: Literature of the Middle Ages

Credits 3
An introduction to the epic, focusing on that genre’s primary motif: a journey away from home, a descent into a literal or figurative underworld, and a return home or establishment of a new homeland. Texts range from classical to modern works. Special emphasis is placed upon medieval literature in translation.

EN 332: The Age of Exploration

Credits 3
The spirit of exploration in Renaissance England as reflected in literature, with reference to 21st-century experience; accounts of Renaissance voyages to the New World in the context of other types of exploration — images of utopias, of superhuman heroism, of new power acquired through magic and science, etc. Readings range from Ovid to 20th-century science fiction, with emphasis on works by More, Shakespeare, Marlowe, Bacon.

EN 333: Literature in the Age of Enlightenment

Credits 3
This course examines the literature of the Enlightenment and its effect on the shaping of the modern mind. Students will study the emergence of modern ideas of humanitarianism, tolerance, empiricism, and the social contract, particularly as expressed in British literature of the "long" 18th century. Representative works of Restoration drama, Neoclassical poetry, and early innovations in the novel will be covered.

EN 334: The Age of Revolution

Credits 3
The pervasive revolutionary spirit in 19th-century England as expressed in literature. Analysis of the Romantic and Victorian ages through examination of literary, social, religious, and scientific concepts and creations; reference to analogous 20th-century discoveries and attitudes.

EN 335: Modern British Literature: Repression & Rebellion

Credits 3

A study of major British writers of the 20th century who reflect upon the confrontation between the waning Empire’s legacy of conformity and restraint and the modern spirit of rebellion. The course includes literary works in genres such as poetry, drama, works of fiction by major writers of the era.

EN 336: Battle Pieces: Conflict and Commitment in Modern American Literature

Credits 3
Perspectives on war in modern American literature. We study the moral, psychological, and ideological implications of war and war-like confrontations in modern American society. Readings include primary materials (letters, diaries, essays) poetry, novels, from WWI forward. Representations of Americans attitudes towards war and the U.S. as a global leader emerge through film, song, and dramatic works.

EN 337: Literary Realism: The Trend Toward Social Inquiry

Credits 3
A study of selected writers of 19th-century Western Europe, exploring the influence of social issues and cultural implications on literary context and form, with emphasis on the effort toward objective representation and the preoccupation with social problems.

EN 338: Courtly Love: Ladies, Gentlemen, Men and Women

Credits 3
An introduction to courtly love that traces its development into the modern concept of romantic love. The course highlights work from a variety of literatures and historical periods, focusing on the relationship between courtly love and social institutions and exploring the connections between courtesy and the images of women and their position in society.

EN 340: Studies in Individual Authors

Credits 3
The purpose of this course is to delve deeply into several works by individual authors, rather than trace a theme or literary history. The usual concerns of social context and various critical approaches will enrich the close readings of the texts. The authors studied will vary by semester, and will represent a variety of literary periods, genders, nationalities, and genres.

EN 341: Literature in Translation

Credits 3
Great literary works from all over the world should be appreciated without the impediment of a language barrier. As most great works are accessible in translation, we provide our students with a variety of authors from areas such as Europe and Latin America. Each semester the focus might shift from one major writer to a survey of a particular period, according to need.

EN 342: Voices of Authority: The Life and Times of Joan of Arc

Credits 3
The life and significance of Joan of Arc, with reference to important medieval and current-day issues involving beliefs about individual rights and responsibilities, religious authority and mysticism, relationships of church and state, and power across social class lines. Particular emphasis on the role of gender in medieval times.

EN 350: Studies in the Novel

Credits 3
The novel is a literary form that is constantly making and remaking itself. This course surveys the novel’s historical development and examines critical approaches to the form. Readings will span different historical periods and cultures, and will focus on certain elements of the novel’s development, such as its formal innovations or its thematic concerns.

EN 352: Studies in Tragedy

Credits 3
We now use the word “tragedy” rather carelessly: anything bad that happens is tragic. In ancient times, tragedies were performed at festivals, evoking the sense that humans suffer in particular ways, emphasizing how often our own humanity – our own flawed existence –brings on this suffering. Audiences experiencing a particular tragic scene together understood their own flaws and experience through catharsis, the strong emotion of pity or fear, by identifying with the characters. We will explore ancient ideas of tragedy and how its performance has changed throughout the centuries, and pinpoint how audiences continually find new ways of experiencing catharsis.

EN 353: Studies in Drama

Credits 3
Drama as a form has dominated high and popular culture across millennia, for religious purposes as well as a means to explore archetypal human behavior and experience. Playwrights, cultures, and eras will vary by semester, and can include tragedies, comedies, and/or more stylized forms. Emphasis on performance as well as literary aspects will be a central focus.

EN 355: Philosophy in Literature

Credits 3
This course explores various philosophical theories and themes as they are expressed in literature. Content and themes of the course will vary from year to year. Topics may include questions of morality and responsibility, alienation, issues of appearance vs. reality, questions about human nature and personal identity, the dynamics of tragedy, and the concept of human existence. Readings may draw from diverse cultures, traditions, and periods.

EN 359: Literature and Film

Credits 3
An introduction to the art of film through comparison with literature. Novels, short stories, and plays are examined in conjunction with film versions of the same works, with particular attention to the differences between them and the reasons for those differences. Includes viewing and discussion of selected feature films, and an introduction to film terminology.

EN 442: Women Come of Age

Credits 3
Texts focus on issues of women around the world and how many patriarchal societies place limitations on them. We also trace the struggle for gender equality shown in the literature. Our readings sample a variety of women writers in the Americas, Europe, Africa and Asia, ca. 1840 to the present. Works center around unifying aspects of coming of age at various stages of life. Class sessions emphasize discussion of texts through close reading of individual passages to highlight important points. Supplemental materials and writing assignments will place those texts within their literary and cultural contexts.

EN 443: Culture and Conscience: Literature of the United Kingdom

Credits 3
A study of key works of fiction from the United Kingdom. Selected works will highlight the relationship between social environments and individual conscience. Students will explore the ways in which literature, self, and culture interconnect through analyzing representative works of the U.K.

EN 444: The Search for Identity: Multicultural American Fiction

Credits 3
The struggles and self-reflection involved in forging individual, community, and national identity are studied through a variety of texts. Looking at these issues from a multi-cultural perspective, the course combines background readings from the social sciences, popular culture, and the arts. Assigned writers work across genres and represent different eras; their works reflect the experiences of various immigrant groups, gender identities, and races. Works vary by semester.

EN 445: Shakespeare I

Credits 3
Study of selected major works, with reference to the poet’s life, times, and stagecraft; includes viewing and discussion of performances of plays when available. Readings in the two courses differ, but both include representative history plays, tragedies, and comedies. Each course may be taken independently of the other.

EN 446: Shakespeare II

Credits 3

Study of selected major works, with reference to the poet's life, times, and stagecraft; includes viewing and discussion of performances of plays when available. Readings in the two courses differ, but both include representative history plays, tragedies, and comedies. Each course may be taken in dependently of the other. 

EN 450: Studies in Poetry

Credits 3
A survey of various forms of poetry, poetic elements, figurative language, and critical approaches. Readings will span various eras and cultures. The course examines the nature of interpretation and criteria for valid readings of texts. Explicating will be done both orally and in writing. Selected poets will be studied in depth.

EN 452: Composition and Grammar

Credits 3
A detailed review and practical analysis of traditional and modern English grammar and syntax. Concepts will be applied to various short readings and student essays. Recommended for students who plan to teach, write professionally, or enter the publishing and public relations fields.

EN 453: History of the English Language

Credits 3
The development of the English language from Anglo-Saxon to modern English. Modifications in grammar, spelling, and vocabulary illustrated by readings in the literature of each period: Biblical passages, selections from Chaucer, Renaissance, 18th-century, and modern authors.

EN 454: Literature for Children

Credits 3
Students will study the development of children’s literature from its beginning to the present. Works of various genres—the oral tradition, fantasy, realistic and historical fiction, poetry, and picture books—will be examined; authors and illustrators will be included, as well as academic articles which stress the importance of literature in the development of readers.

EN 456: Writing Practicum

Credits 3
Use of writing skills in a practical setting as opportunities arise. Includes preparation and supervision by the instructor, and culminates in a written report submitted by the student at the end of the term.

EN 457: Young Adult Literature

Credits 3
A survey of literary texts appropriate for youth in English language arts at the secondary level (grades 6-12). Designed for both education majors and the enthusiast, the course will focus on interpreting young adult literature through various theoretical and cultural lenses and also on methods for choosing and teaching young adult literature in the classroom. Attention will be given to literature that reflects the interests and needs of young people growing up in diverse communities.

EN 458: Creative Writing

Credits 3

Designed as an introduction to the art of creative writing. Students will explore the basics of writing their own short fiction, poetry, and memoirs through brief, frequent exercises. Special attention given to composing, sharing, and critiquing original works. 

Student work may be contributed to the University literary journal.

Class is open to freshmen.

EN 460: Creative Writing and Performance

Credits 3

Course focuses on the development of advanced creative works of poetry, fiction, and/or drama with a direction towards live performance. Writers will also prepare and rehearse select piece for a college-wide showcase.

EN 461: Publishing Creative Writing

Credits 3
Designed to enhance and expand the skills introduced in EN 458, this course focuses on the development of more sustained and mature creative works of poetry, fiction, and/or drama. Writers also prepare and send original manuscripts for publication in professional literary journals.

EN 463: Expository Writing and Research

Credits 3
This course focuses on the more complex writing, analytical, and research skills needed to address a variety of audiences, purposes, and genres. Students will create a cumulative portfolio of writing including articles, blogs, reviews, editorials, and critical essays. The instructor will designate a special topic for the course such as sports writing, workplace writing, travel writing, memoir writing, writing about film, etc. The special topic will be identified in Course Listings.

EN 472: Seminar

Credits 3
An in-depth capstone study, in a seminar setting, of selected major themes and topical issues as they are developed in a select group of authors. Topics vary from year to year. Includes independent research projects that the student presents to the group for an open discussion and evaluation, and then at a University-wide mini-conference.

EN 491: Internship in English

Credits 3

Students majoring in English can enhance their writing and cultural competencies in businesses and non-profit organizations: in areas like the arts, journalism, local government publications, on-campus literary magazine, and libraries. 

This course is graded on a Pass/Fail basis.

EN 492: Teaching Practicum in English

Credits 3

This course is designed for seniors who have demonstrated out-standing ability in English, as indicated by a GPA of 3.2 or higher. Students will work as peer assistants for English faculty in first-year courses. They will meet with faculty independently and will attend each session of the class in which they assist.